Month: November 2025

November 1967: Jaquard Pattern Jumper

EDIT February 3rd, 2026: Finished!

My November 2025 project was the jumper from a “Jaquard Pattern Jumper Suit” from the November 1967 issue of Stitchcraft.

It’s written for Patons Cameo Crepe, a smooth, fine, worsted-twist wool. I decided to make my version in sock yarn, which is smooth and fine but not 100% wool — mine was Lana Grossa Meilenweit, which is 80% wool and 20% polyamide. I prefer not to use synthetic yarns for environmental reasons, but it is also surprisingly difficult to find smooth, “normal” 4ply/ fingering-weight 100% wool in a variety of colours. It’s either too bulky, too hairy, or a mixture of fibres, or variegated colours. Or baby wool, which has a limited pastel colour range.

I was happy with my colour choices. My olive green was a little more grey than the Stitchcraft version, and my jade green more blue (but still a little more green than it looks in the photo). I was not prepared for how very blue it looks when knitted up in pattern, but it’s fine with me.

The stranded jaquard pattern is quite easy and has the advantage of having very short stretches of one colour — no more than three stitches ever — so it makes a very evenly worked wrong side and there was no need to weave in floats. It’s a subtle pattern with not much contrast, but that’s how the original looks as well. I started with the sleeves, to check for size, and made them in the round for speed and ease. I also decided to make a normal ribbed cuff instead of a hem.

I started the sleeve the first time with the hem as written, and didn’t like it — the transition from hem to pattern wasn’t smooth. I started over and got to halfway up the arm while wondering why it was so narrow. Suprise, I had been doing the increases wrong. Started over and did them right, and the fit was perfect.

I decided to make the body with ribbing as well, and in two separate pieces worked back-and-forth instead of in the round. I thought about making it in the round with a steek for the placket, but then I thought a steek might be too bulky (the fabric is nice and flexible in spite of the close stranding) and I could adjust for fit more easily by working the back and front separately.

On the subject of fit, I made the sleeves in the regular second size, for 36-37 inch bust, and 17 inches to underarm instead of 16. The body of these late 60s, unshaped garments always looks well-fitted on the model in the photo, but like a huge floppy sack on me. My calculations tell me that the back piece, even knitted in the smallest size (for 34-35 inch bust) would be 19 inches wide the whole time, from hem to underarm, and anything that wide around the hip/waist area is just going to look awful on me. The question was: should I start off as in the pattern, decrease for waist shaping and then increase up to the bust, or start smaller to keeop the waist narrower from the beginning and just start increasing after the waist?

Since I had decided to make the bottom edge ribbed instead of hemmed, like the sleeves, I went for the second option. Started the back according to the first size and increased up to the second size for the back, and the second size for the front. That will give a different shape than intended, but it will look a lot better on me.

It still went very slowly, and unfortunately I was quite badly ill for much of November and December, so that on many days I didn’t even have the energy to knit. Also, the pattern, yarn and needles were all very small and fine. But eventually, it took shape. I decreased down to the first size again for the shoulders and back neck to get a nice fitted look.

The front bands are interesting: the inside one, where the buttons are, is made in 1×1 rib, and the outside one with the buttonholes is made in stocking-stitch with a facing and double buttonholes. The collar is also made in stocking-stitch, with facings on the bottom and front edges. I thought the facings wouldn’t be enough to stop the stocking-stitch curl, but was pleasantly surprised — the collar lay perfectly. I found some nice, possibly vintage buttons in my stash.

Before blocking, it was quite snug and the sleeves were a bit short (16 1/2 inches). It stretched the right amount in width with a loose block (no pins or stretching) but also stretched out so much lengthwise! I did not expect that from a jaquard pattern. The sleeves stretched from 16 1/2 to 18 1/2 inches, making them just a little bit too long, and the body stretched from 21 to 23 inches, which is about an inch too long. Next time, I’ll try washing it in the machine and putting it in the dryer on gentle cycle for at least a few minutes, which works with every other superwash wool I know.

This project was worth the wait and I’m very happy with the way it turned out. The photos are suboptimal this time, since we’ve been having a lot of snow and it’s hard to get out anywhere during daylight hours where we could get a perfect re-creation of the magazine photo. This was the best light we could get at five o’clock in the evening inside! I’ll try to take some more after the jumper has been washed and blocked again and we have a little more daylight.

November 1967: Overview

Autumn is officially here, winter is around the corner, and Stitchcraft‘s November 1967 issue presents “the GOLDEN LOOK for winter sparkle”, with warm garments, warm colours, fun textures, and matching his-and-hers outfits to chase away the cold, grey days of November.

Our cover models sport matching polo- (aka turtle-) neck sweaters in “Flair” wool and a suitably golden colour called “Musk.” There are only two sizes given: 35-37 or 40-42 inch bust, so intended as a one-size-fits-most, basically unisex pattern. The textured pattern is made entirely with knit and purl stitches. Our other partner-look models wear polo-neck pullovers as well, with a simple stranded chevron border at the hem. They seem to be designed for somewhat younger and thinner folks, with three sizes from 32-33 to 38-39 inch bust. There’s one more design just for men: a “country cardigan” in blue wool and a fern-like textured pattern.

The women’s designs include a rich green jumper suit, with a buttoned pullover in low-contrast stranded diamond pattern and a plain olive-green skirt; a hooded jacket in a chunky bobble-like pattern made with twisted stitches; a delicate jumper in soft, fuzzy “Princess” wool with a contrasting colour yoke; a polo-neck pullover in colourful “rainbow” chevron pattern; and a bright blue cabled jumper for larger sizes (40-45 inch bust).

With all these great designs for adults, it’s not surprising that there’s only one children’s pattern in this issue, a tunic for girls age ca. 4 to 7. It’s knitted sideways in pieces, starting at the left side edge of the back, then the fronts separately, then the sleeves separately, which are also knit sideways. I’m glad to see the girl model wearing tights, for once! The children’s comic in the “Readers Pages”, titled “The Woodland Wool Shop”, tells the story of Daisy Lamb, who wants to learn cross-stitch, but doesn’t want to be cross about it.

The homewares and “novelties” are all designed with an eye towards December gift-giving, and most of them are featured in a single, big colour photograph. There are lots of things to make in felts: holiday-themed potholders and party mats, a night-case patterned after the nursery rhyme about the old woman who lived in a shoe, some racist “Golliwog” puppet mitts (unfortunately, still a thing), giraffes to appliqué onto an apron, coffee cosy or apron, and another truly terrifying clown intended for use as a string dispenser — yes, you put a roll of string in its head and pull the string out through its mouth. Stephen King was already 20 years old when this issue of Stitchcraft came out (and lived in another country), but if he grew up with things like this in the 50s, it’s not hard to see where he got the inspiration for It. Just saying.

You can also embroider sprays of holly on place mats or another apron, or make a cross-stitch rug or cushion in a Norwegian pattern, or a different cushion in a Florentine pattern. More advanced tapestry aficionados can make a tray-cloth or yet another cushion based on a design from a Chinese tapestry. On the simpler side, you can sew a little doll and dress her in traditional Dutch clothing, or knit a little stuffed toy set of a mother and baby fox. Many, many gift ideas in this issue. Oh, and another rug, in cross stitch!

The ideas keep coming, with two little cross-stitch pictures symbolising “Autumn” and “Winter” (to match the “Spring” and “Summer” pictures in the last issue). And how could I not mention the best gift idea of all: the bed-jacket in loop-stitch, modeled by my favourite model, who seems to have been hired by Stitchcraft exclusively to model bed-jackets with a sexy come-hither smile. I have to admit, the loop-pattern spoils the sexiness for me, but we all have our own preferences… Love the pink-on-pink photograph, though.

That’s all for this issue! My project will be the buttoned pullover from the jaquard jumper suit (just the jumper for now.) May your November be bright and golden.