Month: December 2024

December 1966: Inspired-By-Stitchcraft Mitts

The December 1966 issue of Stitchcraft had some lovely items in it, but the ones I liked best were too time-consuming or impractical to make in the middle of a busy season. For example, I loved the dress on the cover, with its criss-cross stitch pattern on the bodice and sleeves, but didn’t have the time or energy to make a whole dress. I decided to adapt the sleeve pattern to make a pair of long fingerless gloves.

Two years ago, I made this pullover from the December 1964 issue, and still had plenty of wool left over to make a set of mitts. The pattern on the December 1966 cover dress (see close-up photo here) is quite different in appearance, but in a way similar to the December 1964 pattern in the fact that the stitches seem to twist and cross, but there are no actual cables nor even twisted stitches — it’s all done with regular knit and purl stitches, plus yarn-over increases and k2tog and s-k-psso decreases.

The leftover yarn that I used was G-B Jil — DK weight, 100% wool and corresponded well to the Shetland wool-and-acrylic-blend Patons “Fiona” from the dress. Actually, I think my wool was even better for this stitch pattern, since it’s worsted-spun and superwash — nice and smooth to make the pattern stand out well, as well as being non-scratchy and washable. I don’t know why this wool brand is not more popular where I live. I guess it’s too “plain”? Their brand slogan translates to “nice, reliable, and a good bargain for your money”, which, unlike most advertising claims, is both refreshingly humble and 100% accurate. It is perfect for everyday knits and wears well.

The dress pattern has sort of “bracelet” length sleeves, i.e. deliberately a bit too short, so I figured the mitt ribbing would rest at roughly the same spot on the arm as the cuff ribbing of the dress. I started the mitts there, at the arm, on 48 stitches (dress pattern has 49, but seamed — I made the mitts in the round) and worked toward the hand. After the first pattern, I decreased for the wrist to 46 stitches, then to 44 on the fourth pattern. I made an afterthought thumb on pattern repeat 6, then decreased down to 40 stitches for the hand ribbing. The thumb had 6 “afterthought” stitches top and bottom, and I picked up 6 more for a total of 18.

And that was it! Easy peasy. Well, almost. I admit that the the stitch pattern was more complicated and “illogical” (as in, in was hard to memorise or “instinctively” know what was coming next in each round) than I had expected. I charted it out, which helped — the pattern in the magazine is written out in words only and it is easy to get lost in a sea of “k2, yo, sl1, k1, psso, yo, k1, k2tog” etc. I am way too lazy to write this out as a proper pattern and try to sell it on Ravelry, but here are my scribbled notes, if anyone wants to make their own version. The hash marks show the number of rows in the ribbing – 10 at the beginning and 7 at hand and thumb — and the chart only shows the odd-numbered rows 1, 3, 5, 7, 9 and 11 –the even-numbered rows are all knit (in the round). The mitts fit fine on my size-8 hand. but of course, since the pattern is only on the top side of the mitt, you could easily add or subtract from the plain stitches on both sides to make them larger or smaller.

Happy New Year, and thank you all for reading my blog! Stay tuned for lots of fun designs and projects coming up from 1967, which was a great year for Stitchcraft.

EDIT January 1st, 2025: I made a tam to go with the mitts!

December 1966: Overview

Hooray, it’s the Christmas issue! Our cover model from the December 1966 issue of Stitchcraft sports a holiday-red knitted dress with a jaunty black velvet bow in her hair. Bright, cheerful colours, fun ideas for gifts and holiday parties, and the “Total Look” of a complete knitted outfit in one colour theme light up the pages.

The cover dress is made in Shetland-blend “Fiona” yarn and a diagonal criss-cross pattern that looks like cables, but is actually made entirely out of normal increases and decreases (yo, sl-k-psso, k2tog). The skirt is plain stocking-stitch and amazingly for 1966, still falls just above the knee. The two-colour suit with stranded “key” pattern in yoke and skirt hem is similarly demure. The two colours of lightweight “Cameo Crepe” wool are “Pearl Frost”, which I assume is the lighter one, and “Mastic” — I have no idea what colour “Mastic” is supposed to be. (I can only think of Mastix cosmetic glue, used for sticking on fake beards etc., which of course has no colour at all.) As an alternative, the magazine suggests to use Patons Beehive 4-ply in “Mink” and “Magnolia”, so I guess “Mastic” is a medium brown and the magnolia is white. Or the magnolia is dark pink and the mink has got its winter coat on. By the way, Stitchcraft‘s “editress” Patience Horne promises us in the notes to this issue that starting in January 1967, there will be more colour photos, so there may be less guesswork in the future.

The other patterns for adults include a lacy bedjacket, also in “Fiona”, that is pretty enough to wear as a cardigan, as well as a party jacket with Lurex metallic thread held together with the main crepe wool on the borders for extra holiday sparkle. There’s also practical heavy cardigan in reverse stocking-stitch with cable panels.

For the man in the family, an oversized shirt-sweater with angular pattern lines. Or you can make a his-and-hers set of “snow sweaters” in a typical all-over tiled Fair Isle pattern. Diagonal lines are a clear theme in this issue, whether made via texture, colour, or with angular cables.

For the kids, there’s a cute, warm 3-piece outfit of leggings, jumper and cardigan that is good for winter playtime (and finally, a girl can have warm legs and move around without worrying about where her skirt is flying. Look how happy she is!). The boys’ slipover features elements of the cable pattern and blocks of ribbing that we saw on the women’s cardigan. Finally, a bigger girl can enjoy the “Total Look” of tunic, tights and floppy pom-pom-trimmed hat, all coordinated in bright shades of “Lipstick Red” and “Strawberry Ice” double knitting. I’m glad they used a colour photo for this one!

The usual embroidery patterns for cross-stitch borders and easy cushions are supplemented by another big, fun appliqué wall panel: “Widdicombe Fair.” (Spelled with two “d”‘s in Stitchcraft.) I admit, I did not grow up in the UK and wasn’t familiar with it. For others who also weren’t in the know: it’s a traditional agricultural/livestock market fair that has developed into a more social gathering for traditional events, arts and crafts, and rural activities. Have any of you readers been there? Do they have knitting? Tell us about it in the comments! The wall panel shows a scene of happy (and presumably quite tipsy) fair-goers riding home on a pony after the fair. It is comic-like in style, but actually quite intricately worked, with close-fitted felt pieces embroidered and decorated after the appliqué is done.

And of course, it wouldn’t be Christmas without little handmade gifts and Christmas “novelties.” You can knit a hot-water-bottle cover and address it in embroidery to “Miss Miranda” in “Dreamland” (presumably other names and addresses would work as well) or knit some fireside slippers in an easy bobbly-lace pattern. While you’re knitting, make some cabled gloves with a contrasting-colour cable on palm and back of hand for “Father” and a kangaroo with baby for your littlest one. A crocheted hall runner is a “practical gift for the Home.”

The Christmas novelties run the gamut from elegant (an appliquéd panel of a poppy flower from which you can hang a tiny calendar), to cute and wintry (felt table mats with appliquéd stars, a “Father Christmas” sack to fill with gifts), to cute and silly (a knitting snowman made of cardboard, with the “snow” effect made by just pasting cotton wool onto the cardboard), to “what even is it” (little “mascots” made from the scraps of felt left over from the other projects. Apparently, they represent “amusing Bongle people”. I was very afraid to find out what that meant, but they seem to be a sort of fairytale gnome that have recently made a modern comeback in the video game Baldur’s Gate? Either that, or a slang term for copyright protection, lol. I’m guessing the Stitchcraft mascots are the fairytale gnome kind.)

The Readers’ Pages have a great little pattern for a potholder with a crocheted robin sitting on the handle of an embroidered spade. In the comic, schoolmarms Miss Prim and Miss Proper try to teach untidy piglet Higgledy Piggledy how to be neat and clean, but he is not having any of it. It’s the schoolmarms’ fault that he flies out the window, though, since they sat down too hard on the other end of the bench he was sitting on. To finish off the issue, there’s a thoroughly groovy ad for “Stop Red” and “So Dotty” lingerie from the Scotch Wool Shop.

That’s all for this issue! I have no idea what project I will make. Stay tuned, and happy holidays.